Hossein Tavazoni is a performance maker, researcher, and educator based in Groningen, with active artistic and research ties to Tehran. His work brings together Cultural Memory Studies, film, and performance. He explores how images and stories shape memories of the past and of place, with a particular interest in archives, heritage, remembering, and forgetting.
Hossein’s portfolio includes award-winning stage productions, site-based projects, and online performances. Three of his productions received consecutive awards in the Experimental Theatre section of the International Fadjr Theatre Festival: Best Play for The Butterfly at the 33rd edition (2017), Best Performance for Narges at the 34th edition (2018), and Best Play for The Elephant (Aras) at the 35th edition (2019).
Alongside directing and artistic research, Hossein has taught and led workshops at universities and theatre institutions in Iran, the Netherlands, and France. He has also collaborated as a writer, dramaturge, and performer on a range of theatre and film productions.
Drawing on his series of site-based performances in Tehran during the 2010s, Hossein completed his PhD at the University of Groningen, focusing on Iranian memory culture. Working with Julian Hanich and Eleftheria Ioannidou, his research examined how media and fiction shape the cultural memory of everyday spaces, and how these spaces acquire emotional meaning. He holds a master’s degree in Film Studies from Sooreh University in Iran. His thesis explored how Iranian site-based theatre uses filmic language to shape the experience of architectural space.
Hossein regularly presents his work at international conferences, public talks, and community engagement events. Through these presentations, he brings artistic practice and scholarly research together to explore questions of cultural memory, media, space, and performance.
Best Play Award – 37th International Fajr Theatre Festival, for Aras (2019)
Best Offstage Performance Award – 36th International Fajr Theatre Festival, for Narges (2018)
Best Plan and Idea Award – 35th International Fajr Theatre Festival, for The Butterfly (2017)
Best Performance Award – 20th International Iran University Theatre Festival, for Narges (2017)
Best Scene-Atmosphere Design Award – 7th Monologue Festival, Art University of Tehran, for The Butterfly (2016)
Second Place, Costume Design & Nomination for Best Play – 14th Tadjorbeh Theatre Festival, for Amsterdam (2016)
Second Place, Best Actor – 16th International Iran University Theatre Festival, for Forti (2014)
Best Actor – Tehran Shamseh Theatre Festival, for Forti (2014)
Best Play – Tehran Shamseh Theatre Festival, for The Dramatic Changes of Mr. Saad’s Life (2013)
Best Actor – Tehran Shamseh Theatre Festival, for The Dramatic Changes of Mr. Saad’s Life (2013)
Best Acting Award – 36th International Fajr Theatre Festival (2018)
Parastoo Ghorbani & Ava Darvishi for Narges
Best Acting Award – 35th International Fajr Theatre Festival (2017)
Tina Younestabar for The Butterfly
Best Group of Actors Award – 20th International Iran University Theatre Festival (2017)
Ensemble of Narges
Best Tragedy Acting Award – 5th International Mask Theatre Festival, Tbilisi, Georgia (2016)
Tina Younestabar for The Butterfly
A production photograph from The Butterfly (2017), featured on the back cover of Alternatives théâtrales 132.
On the play Amsterdam with Radio Nazdik Theatre, 14 March 2015
On the play A House Built on Water with Tiwall, 3 October 2013
Iran French Radio on Amsterdam
Kariz Performing Arts was founded in 2012 as a departure from conventional theatre practices in Tehran. The group’s work spans a variety of hybrid forms, including stage productions, site-specific performances, documentary theatre, and online pieces. Their creative explorations have also extended into film productions and documentaries.
The name Kariz refers to the ancient underground network of wells and channels used to bring water to the surface. The term carries particular resonance given the ongoing challenges of water access in Iran and the broader region. In Persian literature, kariz often symbolises an inward journey, one that leads to self-discovery and the search for existential meaning, a theme echoed across many Eastern philosophical traditions.